This article has been powered by We are Europe*.
Author: David Bola
Picture Credit: Marin Driguez
Hi M I M I, thanks for taking the time to speak with us. I just listened to your set at C12 for Nuits sonores & European Lab Brussels, and something struck me. Listening to your selection and how you mix tracks, I noticed an approach that's just as interested in "rhythm" as in "texture". What's your relation to sound(s)?
M - I like sound design a lot, textures and layers really move me. Club music is also very sentimental, and there are ways of conveying messages other than just "dance for the sake of dancing", we can also convey emotions. Through sound design and textures, you can reach these little moments of peace, and moments of interrogation.
D - A large part of the club music landscape is functional in the way it's conceived. For instance, we'll create a 4-4 rhythm for people to dance to. So then we forget a whole part of what creating sound is all about...
M - Yes, exactly. I really like the idea of deconstructing and then rebuilding something again, turning it into something a little more textured, maybe less easy to dance to, but at the same time much more poetic. De...
This content is restricted to subscribers. If you have already subscribed, please log in. New users may freely register below.